"Immature poets imitate, mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different."The publication of T.S. Eliot's poem "The Hollow Men" occured in 1925 while that of Philip K. Dick's novel Time Out of Joint was thirty-four years later in 1959. In spite of this time difference there is a credible connection between these two works, one that has been scarcely noted to date. And it derives from PKD's penchant for, at times, carefully seeding his stories and novels with literary allusions. In this instance there is much more to Time Out of Joint than the obviousness of its title coming from Act i, Sc. v of Shakespeare's Hamlet.
T.S. Eliot, "Philip Massinger" (1920)
"The scarecrows lolled forward, back, forward, back. Ahead of him he saw the driver; the driver had not changed. The red neck. Strong, wide back. Driving a hollow bus.To this can be added mentions of "scarecrow" and "hollow" in chapters six and eleven. And there is a description in chapter 3 about the novel's protagonist, Ragle Gumm, having "straw-colored, shaggy eyebrows", a "bony, grim, scarred face", and "His hair had a bleached quality, white and curled". Now, the opening four lines of Eliot's poem are:
The hollow men, he thought. We should have looked up poetry."
"We are the hollow menWhy, then, does PKD allude to Eliot's infamous poem? What is its importance to the plot and/or theme(s) of Time Out of Joint? It has to do, in part, with PKD's interest in metaphysical poetry a form, prevalent in 17th-century England, characterized by an intellectual blend of wit and emotional ingenuity. In a 1974 interview PKD states "I've always been much influenced by the 17th-century metaphysical poets like Donne, and especially Henry Vaughan." And it's Eliot who's significantly responsible for a critical reevaluation of this style of poetry, in particular his influential essay "The Metaphysical Poets" (1921), wherein he puts Donne and other Metaphysical poets of the 17th century at the top while lowering poets of the 18th and 19th centuries.
We are the stuffed men
Headpiece filled with straw. Alas!"
"Things fall apart; the centre cannot holdPKD's Time Out Of Joint was written over the winter of 1957-58 and published by J.B. Lippincott, Co. in spring 1959 as a "novel of menace. It, to a lesser extent, captures the mood during the aftermath of the Korean War, McCarthyism, and the peak of the Cold War, a period some historians depict having an undercurrent of "atomic anxiety", apprehension, and alienation. As David Halberstam notes in the preface to his incisive and informative The Fifties (1993):
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity."
"During the course of the fifties, as younger people and segments of society who did not believe they had a fair share became empowered, pressure inevitably began to build against the entrenched political and social hierarchy....Some social critics, irritated by the generally quiescent attitude and the boundless appetite for consumerism, described a "silent" generation."Two other novels that came out the same year as Dick's, and deal with similar themes, are Pat Frank's Alas, Babylon and Walter Miller's classic A Canticle for Leibowitz. But it's a poet, W.H. Auden, who recalls the time after WWI in a long philosophical dialogue, called The Age of Anxiety, that won the Pulitzer Prize for poetry in 1948. Also of note for indicating the tenor of the times are Riesman's The Lonely Crowd (1950), Viereck's The Unadjusted Man (1956), Barrett's Irrational Man (1958), and Marcuse's One-Dimensional Man (1964).
"Let me also wearRagle Gumm is in fact being deliberately "disguised", victimized and manipulated by one side in a civil war between the Earth and the Moon, or the "One Happy World" government against the "Lunatics". He was planning to join the latter's cause before the former "...had taken him from his office and established him in Old Town". Ragle has this uncanny talent to sense patterns in space and time, to "anticipate where the pattern goes if extended one more point". And the Earth government is determined to use this ability to plot missile intercepts for them, to predict where the next missile launched from the Moon will strike.
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves"
"This is the dead landWhat PKD wants us to contemplate then, I would argue, via his allusion to Eliot's poem, is not so much what is done in the name of war, albeit civil war, but the effects of such action on an individual, in this instance Ragle Gumm. In the last few pages of the novel he reflects, "It [civil war] means the most sacrifices. The fewest practical advantages." In so doing both we, and Ragle, are caught between the reality and the idea of man's inhumanity to man, of ascertaining the "authentic human" (Dick's phrase) regards the fundamental questions of personal freedom, morality and individual responsibility. (FCB, 6/01)
This is the cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star."
"Afterward to Time Out of Joint"
Jason K of philipKdick.com
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